Every frame, not the playback copy
A slow-motion clip picked the usual way comes back as a 30 fps render with most of its frames gone. Replay Breakdown opens the original file, so a 240 fps clip keeps all 240 frames a second. The newest clip in your library is one tap from the home screen.
Draw and measure
Lines and arrows that snap level and plumb, angles read off the picture as it really is rather than as the screen squashes it, circles, a freehand pen, and an airtime timer that counts up from take-off to landing and holds the total. Five colours, and each drawing shows for one frame, half a second, or the rest of the clip.
Side by side
Put two clips on the same moment — the pop, the take-off — and link them there. From then on they move together, frame by frame, each at its own frame rate, side by side or one laid over the other. Last week's attempt against today's, or the student against the pro.
Talk it through
Press the microphone and talk while you scrub, draw and zoom, the way you'd explain it standing next to them. Play it back to check it, then send it as one video: your voice over every frame you stepped to and every line you drew, in step.
Send it back
Trim to the move, then export at real speed, half speed or quarter speed as an MP4 that plays in any messenger, with the drawings and the timer painted in. Or save the one frame that says it all as a full-size picture.
On iPad, with Apple Pencil
The Pencil draws while your fingers scrub and zoom. Double-tap or squeeze for the tool you used before. Open two clips in two windows with Stage Manager.
